Acknowledgments
Abbreviations, Editions, and Translations
Introduction - by Carol Chiodo and Christiana Purdy Moudarres
Part One: Theology
Dante’s Orthodoxy and the Authority of Knowledge- by Jennifer Helm
Cathedrals of Light: An Overview of Dante’s Commedia in the Shadow of Bonaventure’s Thought - by Filipa Afonso
The Rain of Hope: Theology and Exile in Paradiso 25 - by Maria Clara Iglesias Rondina
Dreams of Prophets, Dreams of Poets - by Giulia Cardillo
Body-less Vision: An Examination of the Incarnational Theology of Paradiso 31–33 - by Junius Johnson
Part Two: Philosophy
Dante’s Humanistic Ontology: Notes for a Reading of the Dialectic Hylomorphism of the Commedia - by Humberto Ballesteros
Remembering the Convivio: Dante and the Art of Memory - by Eleonora Buonocore
“Eternal Hate Created Me As Well”: In Search of Hate in Dante’s Commedia - by Elizabeth Coggeshall
Part Three: Sciences
Ugolino and the Practice of Divination through Dreams - by Ambrogio Camozzi
Hitting the Mark: Projectile Motion and the “segno lieto” in Dante’s Commedia - by Carol Chiodo
The sphaera infinita in Dante’s Paradiso: Between the Suspension of the “geomètra” and Modern Physics - by Anna Bagorda
Legends of the Fall: Genetics and Corruption in Inferno 27 - by Christiana Purdy Moudarres
Part Four: Arts
The play’s the thing, wherein I’ll show the glory of the (Heavenly) King: Medieval Spectacle in Dante’s Purgatorio - by Loren Eadie
“Non ciascun segno/è buono, ancor che buona sia la cera”: Dante’s Poetic Conversion and the Metapoetics of Purgatorio - by Siobhan Quinlan
“Dare a Molti”: The Trecento Commentaries on Inferno 26 - by Rosa Affatato
Music and Political History (Paradiso 15–17) - by Giuseppe Mazzotta
Bibliography
Index of Names
Notes on the Contributors