Contents
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- Mirror on the Stage: (Refl) Ekphrasis and Agustín Moreto’s La loa de Juan Rana
— Felipe E. Rojas, University of Chicago
- Morisca Acts of Resistance and the Subversive Agency of Isabel/Zelima in María de Zayas’s La esclava de su amante
— Bradford Ellis, St. Norbert College
- War Machines: Instrumentality and Empire in Early Modern Spanish Drama
— Cory A. Reed, The University of Texas at Austin
- From the Roman Baroque to the Indian Jungle: Francis Xavier’s Letters from Goa, or the Construction of a God
— Frédéric Conrod, Florida Atlantic University
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